On Sunday I went to the 35th Annual Sakura Matsuri (Cherry Blossom) festival at the Brooklyn Botanical Gardens. As cherry trees have held cultural significance for both the U.S. and Japan, both countries have used "Cherry Diplomacy" to promote values and maintain relations abroad. The festival on Sunday was an opportunity for Americans interested in Japanese culture to check out activities including tea ceremonies, manga drawing, origami, traditional dance, drumming, theatre, martial arts, visual arts and even stand up comedy. The event meshed well with the permanent installations of Japanese cherry trees, bonsai tree collection and Japanese-style garden and pond that have been fixtures at the Botanical Gardens for years.
What caught my eye were the large numbers of youngsters, Japanese and American who had showed up dressed like their favorite anime characters. 1 out of every 6 people I saw at the festival was "cosplaying" the likenesses of Dragon Ball Z, Cowboy Bebop, Sailor Moon, Spirited Away and more. Looking at the program, I was shocked to see that there was no costume contest and these people had dressed up on their own, Gothamist got some great photos last year.
Concessions also featured bento boxes with teriyaki and sushi rolls which you could wash down with a frosty Kirin Ichiban beer.
Showing posts with label cultural diplomacy. Show all posts
Showing posts with label cultural diplomacy. Show all posts
Monday, May 2, 2016
Tuesday, April 19, 2016
Okonomiyaki and Jazz
I finally got a chance to taste one of the most popular eats in New York right now: Okonomiyaki. Originating from Okinawa, Japan, it's a flour pancake with meat/seafood, scallions, veg and sometimes cheese, topped with shredded bonito fish that dances around on the hot plate when it is served. The pancake was bursting with flavor (the extra sauces were a bit much!) and I wished I'd had an ice-cold beer to wash it down. We sat at the bar at Izakaya Nomad and watched the chefs prepping tataki over a grill that they occasionally seasoned with a big slab of fat. Of special mention were the purple sweet potato fries that were in a lighter-than-tempura batter and came with a mentaiko aioli that had been blended with marinated cod roe, really unique.
Afterward, we rode our bikes a mile South to Small's Jazz Club in the Village where we arrived just in time for the 7:30 set. Fukushi Tanaika, one of the most well-known contemporary Japanese jazz artists, was on the skins with his quartet. Joining him were his countryman Hide Tanaka on bass, Texan Marc Devine on piano and Seattlelite Chris Johansen on tenor sax. Their set was an impromptu tribute to Hank Mobley, a tenor sax composer well known for hard bop and soul jazz.Monday, April 5, 2010
Blogging for USC's Center for Public Diplomacy
Here's an article I wrote for USC Center on Public Diplomacy's blog about the Public Diplomacy impact of the South American Games for Colombia. Thanks to Paul for setting it up.
THE SPORTY SPICE OF COLOMBIA
Even as most of North America was closing out the XXI Winter Olympics by viewing an epic hockey match between Canada and the U.S., America's Southern Hemisphere had already started preparing for their own version of the Summer Olympics. The South American Games, which featured over 5,000 athletes from fifteen different countries, came to a close earlier this week in Medellín, Colombia. The significance? The emergence of Colombian sports diplomacy and its vital role in re-branding the country's image.
Colombia certainly tops the list of countries in need of a brand makeover. To most outsiders, Colombia evokes imagery of dense jungles, impoverished coca farmers, guerrillas, and of course, the drug lord Pablo Escobar.
Despite its reputation, Colombia has undergone an incredible transformation from almost-failed state to one of the most prosperous countries in Latin America. With U.S. assistance, the Uribe Administration's security policies have reduced the capacities and numbers both of guerrillas and paramilitaries while decreasing the level of domestic coca cultivation.
When the Colombian government first approached a marketing consultant about re-branding the country's image in 1996, the consultant's reply was "Don't waste your time." However, when the Colombian government rang him up again in 2004, the result was the establishment of Colombia es Pasión (Colombia is Passion). Since its inception, Colombia es Pasión has typically relied on tourism and cultural diplomacy as its principle Public Diplomacy outlets.
Until recently, the most recognizable cultural exports from Colombia were art, literature and music: Nobel Prize-winning author Gabriel García Márquez is one of the most well-known writers in the world and Fernando Botero's disproportional "fat" sculptures can be found all the way from Mexico City to Armenia. Colombia is also home to international megastars Shakira and Juanes, who will represent Colombia by singing at the opening ceremony of the 2010 World Cup in South Africa. Though the Colombian National Soccer Team did not punch their ticket to South Africa, Colombia will host the 2011 FIFA "Under 20" World Cup and intends to make a serious bid for the FIFA World Cup in 2026.
Colombian sports are on the rise as a useful public diplomacy resource. Five-time All-Star Edgar Rentería opened the door to Major League Baseball for his country and recently established the first professional league in Colombia. Juan Pablo Montoya and Camilo Villegas continue to compete (and win) internationally in NASCAR and PGA respectively. Even the former FARC stronghold of Villavicencio has garnered international praise for hosting the annual Cowgirl World Championships. Colombian athletes competing in other countries' professional leagues and the increasing number of international sporting events hosted in Colombia demonstrate the potential sports diplomacy has for re-branding the country.
Colombia put down some serious pesos in hosting the South American Games. The inauguration ceremony featured world-class pyrotechnics and the choreography of Cirque du Soleil director Franco Dragone. Colombian Public Diplomacy efforts during the games were directed at both athletes and spectators in attendance. Entrance was free to all of the events at the Medellín million-dollar arenas and sports complexes constructed specifically for the Games. Particularly clever was the accommodation of international athletes in the same apartment complexes that Medellín has constructed as part of its urban renewal projects. Consequently, all athletes were issued a Metro pass to utilize Medellín's public transport (which include a MetroRail and Gondolas) to commute between the events and their accommodations. And despite an urban terror offensive by the FARC, not one act of violence managed to disrupt the Games in Medellin.
Though this is not Colombia's first time hosting an international sporting event, the South American Games may have been its most important. Less than twenty years ago, Medellín was known as "the most dangerous city in the world," leading global homicides with 381 per 100,000 inhabitants. Hosting international events in Colombia's most infamous city is perhaps the best way of demonstrating the leaps and bounds Colombia has made in recent years to those who continue to doubt its progress. In any case, Colombian sports diplomacy will hopefully function as another cultural commodity in re-branding the country's image and distancing itself from its tumultuous past.
Miles Knowles is a graduate of the Master of Public Diplomacy program at the University of Southern California. His interests and areas of expertise are Cultural Diplomacy and Sustainable Development in Latin America. He is currently living in South America doing freelance NGO work and blogging about his experience at http://rockstardiplomat.blogspot.com/

THE SPORTY SPICE OF COLOMBIA
Even as most of North America was closing out the XXI Winter Olympics by viewing an epic hockey match between Canada and the U.S., America's Southern Hemisphere had already started preparing for their own version of the Summer Olympics. The South American Games, which featured over 5,000 athletes from fifteen different countries, came to a close earlier this week in Medellín, Colombia. The significance? The emergence of Colombian sports diplomacy and its vital role in re-branding the country's image.
Colombia certainly tops the list of countries in need of a brand makeover. To most outsiders, Colombia evokes imagery of dense jungles, impoverished coca farmers, guerrillas, and of course, the drug lord Pablo Escobar.
Despite its reputation, Colombia has undergone an incredible transformation from almost-failed state to one of the most prosperous countries in Latin America. With U.S. assistance, the Uribe Administration's security policies have reduced the capacities and numbers both of guerrillas and paramilitaries while decreasing the level of domestic coca cultivation.
When the Colombian government first approached a marketing consultant about re-branding the country's image in 1996, the consultant's reply was "Don't waste your time." However, when the Colombian government rang him up again in 2004, the result was the establishment of Colombia es Pasión (Colombia is Passion). Since its inception, Colombia es Pasión has typically relied on tourism and cultural diplomacy as its principle Public Diplomacy outlets.
Until recently, the most recognizable cultural exports from Colombia were art, literature and music: Nobel Prize-winning author Gabriel García Márquez is one of the most well-known writers in the world and Fernando Botero's disproportional "fat" sculptures can be found all the way from Mexico City to Armenia. Colombia is also home to international megastars Shakira and Juanes, who will represent Colombia by singing at the opening ceremony of the 2010 World Cup in South Africa. Though the Colombian National Soccer Team did not punch their ticket to South Africa, Colombia will host the 2011 FIFA "Under 20" World Cup and intends to make a serious bid for the FIFA World Cup in 2026.
Colombian sports are on the rise as a useful public diplomacy resource. Five-time All-Star Edgar Rentería opened the door to Major League Baseball for his country and recently established the first professional league in Colombia. Juan Pablo Montoya and Camilo Villegas continue to compete (and win) internationally in NASCAR and PGA respectively. Even the former FARC stronghold of Villavicencio has garnered international praise for hosting the annual Cowgirl World Championships. Colombian athletes competing in other countries' professional leagues and the increasing number of international sporting events hosted in Colombia demonstrate the potential sports diplomacy has for re-branding the country.
Colombia put down some serious pesos in hosting the South American Games. The inauguration ceremony featured world-class pyrotechnics and the choreography of Cirque du Soleil director Franco Dragone. Colombian Public Diplomacy efforts during the games were directed at both athletes and spectators in attendance. Entrance was free to all of the events at the Medellín million-dollar arenas and sports complexes constructed specifically for the Games. Particularly clever was the accommodation of international athletes in the same apartment complexes that Medellín has constructed as part of its urban renewal projects. Consequently, all athletes were issued a Metro pass to utilize Medellín's public transport (which include a MetroRail and Gondolas) to commute between the events and their accommodations. And despite an urban terror offensive by the FARC, not one act of violence managed to disrupt the Games in Medellin.
Though this is not Colombia's first time hosting an international sporting event, the South American Games may have been its most important. Less than twenty years ago, Medellín was known as "the most dangerous city in the world," leading global homicides with 381 per 100,000 inhabitants. Hosting international events in Colombia's most infamous city is perhaps the best way of demonstrating the leaps and bounds Colombia has made in recent years to those who continue to doubt its progress. In any case, Colombian sports diplomacy will hopefully function as another cultural commodity in re-branding the country's image and distancing itself from its tumultuous past.
Miles Knowles is a graduate of the Master of Public Diplomacy program at the University of Southern California. His interests and areas of expertise are Cultural Diplomacy and Sustainable Development in Latin America. He is currently living in South America doing freelance NGO work and blogging about his experience at http://rockstardiplomat.blogspot.com/
Tuesday, March 16, 2010
Repping the Region
Colombian superstars, Juanes (aka Juan Esteban Aristizábal Vásquez) and Shakira (Shakira Isabel Mebarak Ripoll) have been selected to sing at the inauguration of the 2010 World Cup this year. The only singers chosen from Latin America will accompany Alicia Keys, Black Eyed Peas and Amadou & Miriam. While this gives Colombia an excellent opportunity to showcase it's cultural diplomacy on a world stage, I also think that it may have come as a consolation prize due to the fact that Colombia did not make the qualifying rounds for World Cup this year.
However, I should add that Colombia's Women's Selection recently qualified for the World Cup in Germany, to be later this year, congrats ladies!
However, I should add that Colombia's Women's Selection recently qualified for the World Cup in Germany, to be later this year, congrats ladies!
Wednesday, December 30, 2009
Cuban Bob Dylan, Cultural exchanges open doors
The comparison Mr. Varela has drawn to the U.S. father of Folk has to do with his musical and lyrical styles, however his recent trip to the U.S. indicates improving cultural ties between the two countries. This comes a week after Kool and the Gang gave a huge performance in Havana, reciprocating cultural exchange that was previously forbidden under the Bush Administration. Having toured with Jackson Browne and been to the U.S. during the Clinton years, Varela was barred from entering in 2004, even after nearly 2000 tickets to his concert in Miami had already been sold.
Despite strong words from Presidents Castro and Obama about what each country needs to do policy-wise, the cultural exchange of U.S. and Cuban artists allows for artist-to-artist, artist-to-public and artist-to-politician diplomacy, all laying the foundation for potential policy changes down the road.
Here, New York Times reports that Varela held a jam session (that's right!) in the House Budget Committee meeting room before speaking with several Legislators in Washington DC. Check here for an interesting slide show on Varela on his previous visits to the US also by NYT. I'll leave you with one of my favorite Varela songs I've come across, La Política No Cabe en la Azucarera:
Despite strong words from Presidents Castro and Obama about what each country needs to do policy-wise, the cultural exchange of U.S. and Cuban artists allows for artist-to-artist, artist-to-public and artist-to-politician diplomacy, all laying the foundation for potential policy changes down the road.
Here, New York Times reports that Varela held a jam session (that's right!) in the House Budget Committee meeting room before speaking with several Legislators in Washington DC. Check here for an interesting slide show on Varela on his previous visits to the US also by NYT. I'll leave you with one of my favorite Varela songs I've come across, La Política No Cabe en la Azucarera:
Hace mucho calor en la vieja Habana
(It's very hot in Old Town Havana)
la gente espera algo, pero aquí no pasa nada.
(People wait for something but nothing happens here)
Un tipo gritó: ¡sálvese quien pueda!
(One guy said: "every man for himself!")
Cada día que pasa sube más la marea.
(Every day that passes the tide rises)
Felipito se fue a los Estados Unidos,
(Felipe went to the United States)
allí pasa frío y aquí estaba aburrido,
(There it is cold and boring)
en la mesa de domingo hay dos sillas vacías
(On the Sunday table there are two empty chairs)
están a 90 millas de la mía.
(They are 90 Miles from mine)
Pero entiéndelo brother
(But understand brother)
tómalo como quieras
(Take it as you want)
la política no cabe en la azucarera.
(Policy does not fit in the sugar bowl).
Labels:
Cuba,
cultural diplomacy,
Public Diplomacy
Tuesday, December 1, 2009
Radio Bemba Buenos Aires
"Tonight I dream about fraternity
Tonight I say: one day!
One day my dreams will be reality
Like Bobby said to me
Hey Bobby Marley
Sing something good to me
This world go crazy
It's an emergency.” –Manu Chao, Mr. Bobby
Never have I seen someone enjoy themselves on stage like Manu Chao and his band. He seems to let the music take him to a place only performers like Bob Marley and Marvin Gaye seem to have found while on stage. I will admit that many the songs sounded a bit similar (reggae/folk with punk/ska breaks), making the concert at times sound like one long Manu Chao song. But I’ll give it to him, the man knows his audience and he knows how to work ‘em.
From a Public Diplomacy perspective, it’s remarkable to see how a Parisian who also claims Barcelona as home can have such a powerful influence in Latin America. While he does have Peruvian heritage, his credibility is enhanced by his songs’ focus on indigenous movements and against foreign exploitation in Latin America. Singing in 4 languages (French, Spanish, Portuguese, English), is another way he has been able to win over Latin American publics.
While Manu’s “Third World Solidarity” may not have as large an impact in Euro-centric Argentina, he was able to make time for announcements from two Argentine civil society groups during the concert. He closed out the show by bringing them all back onstage for a 30-minute encore, praising the Pachamama (Mother Earth).
When I was in Uruguay, the owner of my hostel showed me this video of Manu in Cabo Polonio helping to raise awareness about government destruction of some of the houses there; and it must have helped as it was just made into a national park 3 months ago:
Tonight I say: one day!
One day my dreams will be reality
Like Bobby said to me
Hey Bobby Marley
Sing something good to me
This world go crazy
It's an emergency.” –Manu Chao, Mr. Bobby
Never have I seen someone enjoy themselves on stage like Manu Chao and his band. He seems to let the music take him to a place only performers like Bob Marley and Marvin Gaye seem to have found while on stage. I will admit that many the songs sounded a bit similar (reggae/folk with punk/ska breaks), making the concert at times sound like one long Manu Chao song. But I’ll give it to him, the man knows his audience and he knows how to work ‘em.
From a Public Diplomacy perspective, it’s remarkable to see how a Parisian who also claims Barcelona as home can have such a powerful influence in Latin America. While he does have Peruvian heritage, his credibility is enhanced by his songs’ focus on indigenous movements and against foreign exploitation in Latin America. Singing in 4 languages (French, Spanish, Portuguese, English), is another way he has been able to win over Latin American publics.
While Manu’s “Third World Solidarity” may not have as large an impact in Euro-centric Argentina, he was able to make time for announcements from two Argentine civil society groups during the concert. He closed out the show by bringing them all back onstage for a 30-minute encore, praising the Pachamama (Mother Earth).
When I was in Uruguay, the owner of my hostel showed me this video of Manu in Cabo Polonio helping to raise awareness about government destruction of some of the houses there; and it must have helped as it was just made into a national park 3 months ago:
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